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These films represent a specific subgenre of comedythat had a significant resonance in Germany at a time of rapid cultural change.The writerinvestigates the specific material structures and historical transformations that gave rise to thesubgenre, uses the analytic tools of queer theory to approach the dynamic of sexuality at workin the films, and concludes by examining the psychic structures involved in the films' crises andtheir relationships to social transformations." [Art Index] "The writer discusses German filmmakers involved in the struggles over publicmemory in postwar West Germany.The products of transformed national film industries contain models for a reconceptualization of community.
The films are "Yasemin" and "Keiner liebt mich," while the literature is by Irene Dische and Aras Oren. 121-152, Spring 2008 "The writer discusses film in Germany in the period between 19.
If the message was not overt in feature film, it was in newsreels, which from late 1938 formed a compulsory part of the cinema program, as was also later the case in occupied Europe.